SESSIONS

EVENT CANCELLED

Annual Conference sessions will comprise of up to six, 25-minute papers, presented over a single day. 

All delegates, including speakers and convenors must pay to attend (which is standard practice for many academic conferences). There are no specific tickets for speakers and convenors. Click here for ticket information.

SESSIONS (click a session to view the speakers and their paper titles)
 

A FOREIGN EYE: INTERWAR EUROPEAN PHOTOGRAPHERS ABROAD
Jordan Troeller and Hyewon Yoon
 

AFROTROPES AS AN ANALYTICAL FRAMEWORK TO EXPAND ART HISTORICAL METHODOLOGIES OF THE BLACK ATLANTIC?
Sarah Hegenbart and Levi Prombaum
 

ART DISPUTES: CONFLICT AND COMPETITION ACROSS THE AGES
Edward Payne and Bernadette Petti 
 

ART HISTORY, THEORY AND PRACTICE FOR AN ECOLOGICAL EMERGENCY
Andrew Patrizio and Lucy Whelan 
 

ART INTO POP (REDUX)
Gavin Butt
 

ART, LABOUR AND INEQUALITY: INTERDISCIPLINARY PERSPECTIVES
Dave O’Brien and Harry Weeks
 

ART, OBSCURITY, AND THE POLITICS OF RESCUE
Amy Tobin and Flora Dunster 
 

CHANGING APPROACHES TO HISTORIES OF BRITISH ART, 1660–1735
Lydia Hamlett and Claudine van Hensbergen
 

CLIMATES OF COLONIALISM
Julia Lum and Gabrielle Moser
 

CRAFT AND WAR
Jennifer Way
 

CREATIVE CARTOGRAPHIES AND INHERITED AESTHETICS: CRAFT, TRADITION AND LABOUR IN CONTEMPORARY FINE ART PRACTICES
Ella S Mills and Erin L McCutcheon
 

CYCLICAL CLASSICAL: REBIRTHS, RENAISSANCES, AND REINVENTIONS OF ANTIQUITY
Nicole Cochrane and Melissa Gustin
 

EXPLORING DIVERSITY IN PUBLIC SCULPTURE
Klairi Angelou
 

EXPLORING THE PLURALITY OF ARTISTS’ PRACTICES: ARTISTS AS DEALERS AND AGENTS
Adriana Turpin and Marie Tavinor 
 

FROM KEEPER TO MAKER: BRITISH CURATORIAL PRACTICES
Laia Anguix, Elisabetta Fabrizi and Massimiliano Papini 
 

HYBRID MARINES
Gabriel Gee and Bryan Biggs
 

JEWISH VISUAL CULTURE IN MODERN EUROPE (C.1840–1940)
Tom Stammers
 

MATERIAL/IMMATERIAL: THE LIVES (AND AFTERLIVES) OF OBJECTS
Lynn M Somers
 

MATTER, (IM)MATERIALS AND MATERIALITY: ON THE LIFE OF DIGITAL ARTWORKS
Beryl Graham and Alexandra Moschovi 
 

MUSEUM FOR THE GLOBAL MAJORITY: EXPANDING THE LIMITS OF MUSEUM PRACTICE
Jennifer Reynolds-Kaye and Maryam Ohadi-Hamadani 
 

POLITICAL APPROPRIATIONS
Lara Perry and Elke Krasny
 

‘QUEER’ ‘BRITISH’ ‘ART’? – THEORY AND PRACTICE SINCE 1970
Theo Gordon
 

REPRESENTING THE NATION: THE HISTORIC AND CONTINUING ROLE OF NATIONAL ART INSTITUTIONS
Freya Spoor and Neil Lebeter
 

‘THE BOOK OF THE FUTURE’: PHOTOBOOKS BETWEEN DISCIPLINES
Fiona Allen, Simon Constantine and Daniel Hartley 
 

THE REAL PRICE: BETWEEN ART AND THE (ART) MARKET
Bill Balaskas
 

THE VISUAL POLITICS OF INDEPENDENT PRINT MEDIA IN THE TWENTIETH CENTURY
Louise Siddons and Victoria Bazin
 

THEATRE, ART, AND VISUAL CULTURE IN THE 19TH CENTURY
Patricia Smyth, Jim Davis, Kate Newey and Kate Holmes 
 

TOXIC MASCULINITY (CLASSICAL TO CONTEMPORARY)
Carol Richardson and Lucy Weir
 

TROUBLING BORDERS: ART WORLDS IN SITES OF CONFLICT
Edwin Coomasaru, Sarah Kelleher and Rachel Warriner
 

WALKING ON IMAGES
Michael Tymkiw
 

‘WHAT’S LOVE GOT TO DO WITH IT?’ QUEER-FEMINIST DESIRES IN RESEARCHING AND WRITING ART HISTORIES
James Bell and Aleksandra Gajowy
 

WORKING TOGETHER TO EXPAND THE POOL OF ART HISTORY STUDENTS 
Hilary Robinson and Joanna Woodall