2022 SESSIONS
 

The 2022 Annual Conference will take place in-person over three days from 6 - 8 April 2022. There will be up to 36 live parallel sessions with 4, 6 or 8 papers delivered in each session. There will be multiple sessions taking place each day.

Session Timetables will be available for downloading nearer the event.

2022 SESSIONS 

Aesthetics and Politics of Sustainability (Anna-Rosja Haveman)

The Artist’s Friend (Jamin An & Anne Rana)

Born from the Margins: Women Gallerists Creating New Markets, 1800-1990 (Caterina Tosch & Veronique Chagnon-Burke)

The Carrier Bag Theory of Art History: experimental writing in, on and alongside feminist and queer art (Bridget Crone & Catherine Grant)

Collective Craft in Global Contexts (Valéria Fülöp-Pochon & Courtney Schum)

Collectives, Art and Neoliberalism (Kim Charnley & Louisa Lee)

Crafting Medieval Spain: the Torrijos ceilings in context (Mariam Rosser-Owen & Anna McSweeney)

Critical Explorations of Nordic Art and Vitalism (Tonje Haugland Sørensen & MaryClaire Pappas)

Critical Perspectives on Disability in Art and Visual Culture (Lynn M. Somers)

Decolonisation and Eastern European Art (Dorota Jagoda Michalska & Marta Zboralska)

The Deferred Image: Rethinking Photography’s Temporalities (Justin Carville)

Digital Amateurism and the Platformisation of Art (Yvonne Schweizer & Annette Urban)

Empathy and Art (Susan Barahal & Elizabeth Pugliano)

Eyes on the street: art and policing (Fiona Anderson & Al Hoyos-Twomey)

Faces across Time and Space: Portraiture and Intermediality in Europe and East Asia (Yizhou Wang & Luis Alcalá-Galiano)

Global Anatomies (Keren Hammerschlag & Natasha Ruiz-Gómez)

History and memory: the contemporary artist as archivist (Deborah Schultz & Sian Vaughan)

How New York Lost the Idea of (Post)Modern Art (Oliver O’Donnell & Chloe Julius)

Identifying the Disoeuvre: artistic labour beyond the oeuvre (Felicity Allen, Althea Greenan, Janice Cheddie, Alexandra Kokoli, Lina Dzuverovic)

An Inventory of Traces: Rethinking public archives and collections beyond the nation/state (Isobel Harbison & Sara Greavu)

Invertebrate Art: Ecologies, Practices, Ethics (Sarah Wade & Pandora Syperek)

Old is New: Classical Reception and Temporalities in Art 1800-Today (Nicole Cochrane & Melissa Gustin)

Painting, Discourse (Matthew Bowman)

Plunder: An Alternative History of Art (Mary-Ann Middelkoop & Elsje van Kessel)

Rethinking Royal Manuscripts in a Global Middle Ages (Jacopo Gnisci & Umberto Bongianino) - Session Sponsored by the International Center of Medieval Art

Roads to Convergence behind the Iron Curtain: Remapping Conceptual Art in the Era of (Post)Socialism (Maia Toteva)

Shōwa Japan and modern European art (Louise Franklin)

This is me. This is also me: The Artist’s Archive as Self-Portrait (Amy Furness & Georgiana Uhlyarik)

Towards an Affective History of Art: Vision, Sensation, Emotion (Emma Barker & Carla Benzan)

Transnationality in the Nineteenth-Century: Decolonising Networks of Exchange, Circulation and Exhibition (Gursimran Oberoi & Sarah French)

Unravelling Modernist Histories: Crafts since the 1800s (Ana S González Rueda & Elisabetta Rattalino)

Unseen Science and the Failure of the Visual (Alexis L. Boylan)

Viral Images: Art and Contagion (Sophie Xiaofei Guo & Andrew Cummings)

Visual Cultures of Protest: Art and Resistance in South Asia (Anisha Palat & Silvia Genovese)